Selected Writings

How To Be A Black Choreographer And Not Die

Do you know when you are unwell? Not unwell like a cold, but unwell, like not well. Can’t think straight or maybe thinking too straight. Brushing your teeth is pushing a boulder uphill. There is a dull yellow dustiness hanging about you. In your feelings. Lachrymose. Out of body. Missing sense of self. Not sure and not used to not being sure. If there is a you that you know, that you are intimately acquainted with, not-well-you is a pale or blurry or refracted reflection.

Essence | 2020


Photo Credit: ShocPhoto


Searching for Creative Partners

For the past year, I have been witnessing the fruits of SLMDances' Strategic Planning labors. Our implementation game has been STRONG. *insert biceps emoji* I couldn't be more proud or excited of how far we've come. Still, with the implementation of strategic changes has come other changes that I couldn't have quite predicted.

Many of the dancers who helped shape SLMDances in its prime have moved on to their next level of badassness and sorcery.  I mean these bawse women are pursuing... 

Love Stutter | 2018


Photo Credit: SLMDances


The Haunt-Mourning-F*ck

We walked out. Single file line. And as we arranged ourselves on the altar listening to the words that beckoned our presence and our power I noticed the overwhelming number of white faces staring back at us. Waiting patiently to see what our next move would be. This is first time I have ever done THIS work - church dancing - in white space.

I chose my prompt: the haunt.

Girls Like Us Issue #9 | 2016


Photo Credit: Ian Douglas


Sipping Lemonade, Savoring Pound CAKE

Today/July 4, 2016.
It’s taken me 15 months to get this post out, and today of all the days – the 4th of July – is when I finally feel free enough to finish this writing. Today, when the United States of America celebrates its independence with a day off, too much food and drink, and sparkling lights exploding overhead. On this day, I find myself lounging on my parents’ new porch, gazing at the trees, and inhaling more fresh air in the past 24 hours than I have since who-can-remember-when.

Love Stutter | 2016


Photo Credit: Sydnie L. Mosley

Maria Bauman and Andre M. Zachery Embody Present and Future

This weekend at Danspace Project’s DraftWork, choreographers Maria Bauman and Andre M. Zachery will show new works in progress. Although they are working in disparate modes – Bauman in a solo improvisational practice  and Zachery working collaboratively at the intersection of movement and technology - each choreographer’s artistic investigation focuses on self-actualization.  

The Dance Enthusiast  | 2015


Photo Credit: David B. Smith

What does Shange think?

On Wednesday, November 7th I had the pleasure of attending “Ntozake Shange on Stage & Screen” sponsored by Africana Studies at Barnard. The event began with a screening of Tyler Perry’s film adaptation of Shange’s choreopoem for colored girls... I was relieved to learn that her thoughts aligned with the criticisms I’d been outlining in my head since I first saw the film over a year ago.

BCRW Blog | 2012


Photo Credit: unknown


Sydnie L. Mosley Dances (SLMDances) is a New York City-based dance-theater collective that works in communities to organize for gender and racial justice through experiential dance performance.

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