Selected Writings

Photo Credit: FAB

 

Virtual Visionaries: Engaging Communities

University of Michigan Excel SMTD Log | 2020

 

 

SLMDances, the dance-theater collective I founded and run, found our footing in our art-making practice creating community-engaged and accountable works. Our mission — to work in communities to organize for gender and racial justice through experiential dance performance — began to manifest in 2011 when we started developing The Window Sex Project. Born out of my own desire to walk down the street and not feel like I was being “window shopped” like a mannequin or other sexual object on display...

Photo Credit: ShocPhoto

 

How To Be A Black Choreographer And Not Die

Essence | 2020

 

Do you know when you are unwell? Not unwell like a cold, but unwell, like not well. Can’t think straight or maybe thinking too straight. Brushing your teeth is pushing a boulder uphill. There is a dull yellow dustiness hanging about you. In your feelings. Lachrymose. Out of body. Missing sense of self. Not sure and not used to not being sure. If there is a you that you know, that you are intimately acquainted with, not-well-you is a pale or blurry or refracted reflection.

Photo Credit: SLMDances

 

Searching for Creative Partners

Love Stutter | 2018

 

For the past year, I have been witnessing the fruits of SLMDances' Strategic Planning labors. Our implementation game has been STRONG. *insert biceps emoji* I couldn't be more proud or excited of how far we've come. Still, with the implementation of strategic changes has come other changes that I couldn't have quite predicted.

Many of the dancers who helped shape SLMDances in its prime have moved on to their next level of badassness and sorcery.  I mean these bawse women are pursuing... 

Photo Credit: Ian Douglas

 

The Haunt-Mourning-F*ck

Girls Like Us Issue #9 | 2016

 

We walked out. Single file line. And as we arranged ourselves on the altar listening to the words that beckoned our presence and our power I noticed the overwhelming number of white faces staring back at us. Waiting patiently to see what our next move would be. This is first time I have ever done THIS work - church dancing - in white space.

I chose my prompt: the haunt.

Photo Credit: Sydnie L. Mosley

Sipping Lemonade, Savoring Pound CAKE

Love Stutter | 2016

 

Today/July 4, 2016.
It’s taken me 15 months to get this post out, and today of all the days – the 4th of July – is when I finally feel free enough to finish this writing. Today, when the United States of America celebrates its independence with a day off, too much food and drink, and sparkling lights exploding overhead. On this day, I find myself lounging on my parents’ new porch, gazing at the trees, and inhaling more fresh air in the past 24 hours than I have since who-can-remember-when.

Photo Credit: David B. Smith

Maria Bauman and Andre M. Zachery Embody Present and Future

The Dance Enthusiast  | 2015

 

This weekend at Danspace Project’s DraftWork, choreographers Maria Bauman and Andre M. Zachery will show new works in progress. Although they are working in disparate modes – Bauman in a solo improvisational practice  and Zachery working collaboratively at the intersection of movement and technology - each choreographer’s artistic investigation focuses on self-actualization.  

Photo Credit: unknown

 

What does Shange think?

BCRW Blog | 2012

 

On Wednesday, November 7th I had the pleasure of attending “Ntozake Shange on Stage & Screen” sponsored by Africana Studies at Barnard. The event began with a screening of Tyler Perry’s film adaptation of Shange’s choreopoem for colored girls... I was relieved to learn that her thoughts aligned with the criticisms I’d been outlining in my head since I first saw the film over a year ago.

Sydnie L. Mosley Dances (SLMDances) is a New York City-based dance-theater collective that works in communities to organize for gender and racial justice through experiential dance performance.

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